Gothic, Vampire and Alternative Female Beauty is an Art Photography Book that contains over 200 of the most striking images by renowned Art Photographer and breakthrough artist Swav Jusis, taken during the time period of 1998-2012.
This 130 page bookMoreGothic, Vampire and Alternative Female Beauty is an Art Photography Book that contains over 200 of the most striking images by renowned Art Photographer and breakthrough artist Swav Jusis, taken during the time period of 1998-2012. This 130 page book contains images of women photographed while he documented the clubs and people related to the alternative scene. This included the Underground Gothic, Vampire, Steampunk, Industrial, Cyber and Fetish lifestyles.
Swav Jusiss exceptional ability to see the colors of the world in fresh, unexpected ways is epitomized in his Life Saturated collection, which is also included in the book. He has pushed the boundary of photography, combining it with color manipulation, to new and exciting limits allowing him to give a visual testimony in strikingly complex imagery.
This book transcends his documentary work and explores the deeper side of color and contrast within individuals encountered upon that journey. Artist & photographer Swav Jusis was born in Gdansk, Poland where his family fled from communism to live in England and Vienna before finally settling in the United States, where he currently lives in the New York Metro Area. He has been a Fine Art Photographer for over a decade both in the US and Europe with past work primarily focused on documentary photography related to events and people in the alternative NYC nightlife scene.
Original works by Swav Jusis are found in the collections of Art Collectors Worldwide, primarily consisting of pieces from previous exhibitions in New York and Europe done in 2000 and 2005. This book contains no commentary about the individual images or stories behind the people. The book is created more to enthrall the viewer with the images, and not tell them what to think about them. The final results are sometimes arresting, exuberant or even mournful, but that should be for the viewer to determine.
Swav Jusis 2012
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